The Soul of a Needle and Thread…
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I was standing in the yarn aisle of a local craft store today when a woman approached me, "Excuse me. Do you know anything about knitting?" Then she proceeded to tell me that she had just taught herself to knit a purl because she was having her first grandchild and today they found out he is a boy. Now she is standing in the yarn aisle ready to make hers, & his, fist blanket. ♥
She had
bought a lovely skein of that funky yarn that looks like it does all the
stitches for you, and we knitter know, it doesn't. It's difficult to work with
for rookies. So she returned it and was going with a standard baby yarn in
winter white. She wanted to knit a blanket that only knit & purl. Something
very simple and elegant. Could I help? I gave her my business card and told her
to email - I would write her a pattern and return it tonight. I wrote two. Instructions for both follow at the end of
this blog.
There is a
distinct energy from the soul that transcends into tediously handcrafted
work. If you ever start a piece of
knitting, or crochet, or detailed needlework, and put it away for a few years,
when you pick it up again even years later, your mind starts playing the scene
from when you held it last – whether it be the music you were listening to, the
conversation you were having, it’s a snapshot our your soul at that particular
moment in time. It’s uncanny! Every sweater, every garment that my Bonnie
Mommie ever made for me felt like a luxurious, generous, warm hug from her
every moment that I had it on. Whether
it were conscious or subconscious, her soul is always wrapped around me in the
garments she makes. I remember as a
young girl, the back-to-school wardrobe that she made for me every year before
school. Plenty of pretty dresses for me
to wake up to and look forward to wearing on school days when my naturally
nocturnal spirit would rather lie in bed.
Rather not go at all. Big circle
skirts overflowing with ruffles and trim.
Lovely dresses with puffy sleeves and pinafores with applique,
embroidery, one even had a dollie in a heart shaped pocket. An apron to hold my giant 64 box of crayons. Dresses to match my dolls dresses. And even a pair of jeans with pretty red
ruffles on the pockets and hem with a matching peasant blouse, for 2nd
grade school trip to the zoo where jeans were the required wardrobe. I had always refused to wear pants,
convinced, if not slightly paranoid, that even putting a pair on would turn me
into a boy. Oh the horror!
By the fourth grade I had decided to design my own back to school wardrobe. A pair of pants in royal blue like Olivia Newton-John wore in Xanadu (similar to the ones that M.C. Hammer made famous a few years later) with a matching peasant blouse. A peasant blouse cut off one shoulder (also similar to one Olivia Newton-John had worn in the same film, so had Christy McNichol in “The Pirate Movie”. The outfit was bright red with yellow trim (because I liked the colors on the McDonald’s French fry boxes) and I paired it with an A-line skirt that had big, metal yellow zippers down each side. And mini-skirts because Barbara Eden in “The Harper Valley PTA” was my hero!
While my designs were the all the rage of the 4th grade and all my teachers at school, it was really my mother’s ability, willingness, zeal, and support in executing them that was so impressive. I was into the makings of a life long education in art, craft, and design at her heels. In my earliest memories she was never without fabric, thread, yarn, hook, needles, or hoop in hand – unless of course, she was sanding away at greenware, hovering tediously over bisqueware with a delicate brush. I would spend my childhood trailing behind her fingering bolts of fabric in the fabric stores as she called out “wool, linen, flax, cotton, polyester, rayon, tulle, crepe, sharkskin, matalese, brocade, silk…..” and having me finger the fabrics behind her and repeating them by name; memorizing them by touch. She would make her selections and wait her turn at the cutting table while I busied myself in gigantic books of patterns and make a mental note of all the beautiful dresses I would make when I was old enough to wear them. Or stand mesmerized in front of walls of beautiful buttons, choosing the ones I would ask to have for the fabric she was having cut. It never failed, I would see her finishing up and run to get my instructions for gathering notions – the list of zippers by size and color, buttons, etc… And every single time when it came to buttons she would say, “Get the ones that you can get the most in the right color for the cheapest price”. Well shit! That’s nothing close to what I had already chosen. The ladies at the cutting table could always read my mind and laughed sympathetically under their breath. I don’t think Bonnie Mommie ever had a clue.
.She might have thought them frivolous but I probably could have had them had I had the courage to ask. Buttons became somewhat of an obsession, certainly an investment piece, in my later years. I had grown to think of them as jewelry and well worth the investment. When I explained my position, Bonnie agreed. I was in my twenties by then.
A psychologist asked me one time to describe my childhood. The only word that came to mind was “ideal”. It really was. It certainly had it’s dis-ease: the constant moves, the unhinged family, the instability of people and place but the thread that held that all together was the discipline and organization of what could have easily been a very cluttered life: home made (custom made) garments, home made (tailor made) meals from scratch, family sit-down meal (every meal), long family vacations driving in the car that inevitably bring one to meditate on life and the world we live in), ballet classes, baton twirling classes, art classes, reading, the early discipline of letter writing and thank you note writing (when I was too young to write or sign my name – every letter, every Christmas card, every thank you note had to contain an original artwork in crayon “because if you don’t sign it or write it yourself it doesn’t count”, Bonnie Mommie would say). To this day even my kitties sign their own Christmas cards with a personal ink-pad paw print.
In my first year of junior high school, all that had never been ideal in life imploded and rang out with the thunder of a very ugly divorce. I will say, my parents didn’t do divorce gracefully and in the 30+ years since, nothing has changed that. It is an undiscussable subject. Sibling might have helped bear the weight of that burden, I don’t know. It’s like an unending death. In an instant, every memory – every family vacation, every school play, every ballet recital, every birthday party, Halloween party, Christmas, or Easter is erased from all conversation. It’s a bitter pill for each bitter parent. It’s a bitter pill for the new spouse. No longer can you ever make mention of any moment of joy that preceeded the culmination of lava that finally spewed forth. And in this same instant, this girl is alone. Twelve years old and alone in a new town, among new strangers, in a new and most-unfriendly school (teachers and kids alike). In some instances perhaps even cruel. Certainly these days it would be called bullying but in my early life of only-childness, I was taught not to complain, to be grateful for the kids that teased me because I didn’t have sibling and it was that that makes you tough. In this aloneness of environment & spirit, I was also hours and hours and hours – and days and days and days alone in life. My mother left for work before 5am and normally returned from her 3rd job around midnight. I didn’t have friends and for my own safety, I wasn’t allowed to leave the house, or have the curtains open, or let anyone know I was home alone. Many years later I would come to fully understand the necessity of this but it was lonely. Even my 12 year old poodle died that first year.
I spent the first few years of my adolescence in tears and sadness. Bonnie listened when she was home and would coach me. She would spend her very few spare hours making me new school clothes that we copied from outfits I found in magazines and bought fabric for off of yardage sale tables at Alco, a local discount department store. I would often wake up to new dresses neatly pressed and hanging on my door knob. The night before, in one of my many floods of tears, she would coach me, “You go to school. You hold your head high. You smile big. You say “hello” to everyone. If they’re mean to you, say something nice to them. If they say mean things about you, say nice things about them. If they don’t invite you (they never did) let them know you are happy for them. As hard as they make it to like them, make them think you like them anyway. Don’t ever let them know they cause you the pain they want you to feel. If they don’t think they won – they didn’t win.” Day after day I would. Complaining was never tolerated in our family – crying wasn’t even allowed when I was an infant. In that same vein, I was taught to laugh at fear and laughter was an early defense I was taught in my earliest childhood. Certainly I grew up with an element of real fear.
By the fourth grade I had decided to design my own back to school wardrobe. A pair of pants in royal blue like Olivia Newton-John wore in Xanadu (similar to the ones that M.C. Hammer made famous a few years later) with a matching peasant blouse. A peasant blouse cut off one shoulder (also similar to one Olivia Newton-John had worn in the same film, so had Christy McNichol in “The Pirate Movie”. The outfit was bright red with yellow trim (because I liked the colors on the McDonald’s French fry boxes) and I paired it with an A-line skirt that had big, metal yellow zippers down each side. And mini-skirts because Barbara Eden in “The Harper Valley PTA” was my hero!
While my designs were the all the rage of the 4th grade and all my teachers at school, it was really my mother’s ability, willingness, zeal, and support in executing them that was so impressive. I was into the makings of a life long education in art, craft, and design at her heels. In my earliest memories she was never without fabric, thread, yarn, hook, needles, or hoop in hand – unless of course, she was sanding away at greenware, hovering tediously over bisqueware with a delicate brush. I would spend my childhood trailing behind her fingering bolts of fabric in the fabric stores as she called out “wool, linen, flax, cotton, polyester, rayon, tulle, crepe, sharkskin, matalese, brocade, silk…..” and having me finger the fabrics behind her and repeating them by name; memorizing them by touch. She would make her selections and wait her turn at the cutting table while I busied myself in gigantic books of patterns and make a mental note of all the beautiful dresses I would make when I was old enough to wear them. Or stand mesmerized in front of walls of beautiful buttons, choosing the ones I would ask to have for the fabric she was having cut. It never failed, I would see her finishing up and run to get my instructions for gathering notions – the list of zippers by size and color, buttons, etc… And every single time when it came to buttons she would say, “Get the ones that you can get the most in the right color for the cheapest price”. Well shit! That’s nothing close to what I had already chosen. The ladies at the cutting table could always read my mind and laughed sympathetically under their breath. I don’t think Bonnie Mommie ever had a clue.
.She might have thought them frivolous but I probably could have had them had I had the courage to ask. Buttons became somewhat of an obsession, certainly an investment piece, in my later years. I had grown to think of them as jewelry and well worth the investment. When I explained my position, Bonnie agreed. I was in my twenties by then.
A psychologist asked me one time to describe my childhood. The only word that came to mind was “ideal”. It really was. It certainly had it’s dis-ease: the constant moves, the unhinged family, the instability of people and place but the thread that held that all together was the discipline and organization of what could have easily been a very cluttered life: home made (custom made) garments, home made (tailor made) meals from scratch, family sit-down meal (every meal), long family vacations driving in the car that inevitably bring one to meditate on life and the world we live in), ballet classes, baton twirling classes, art classes, reading, the early discipline of letter writing and thank you note writing (when I was too young to write or sign my name – every letter, every Christmas card, every thank you note had to contain an original artwork in crayon “because if you don’t sign it or write it yourself it doesn’t count”, Bonnie Mommie would say). To this day even my kitties sign their own Christmas cards with a personal ink-pad paw print.
In my first year of junior high school, all that had never been ideal in life imploded and rang out with the thunder of a very ugly divorce. I will say, my parents didn’t do divorce gracefully and in the 30+ years since, nothing has changed that. It is an undiscussable subject. Sibling might have helped bear the weight of that burden, I don’t know. It’s like an unending death. In an instant, every memory – every family vacation, every school play, every ballet recital, every birthday party, Halloween party, Christmas, or Easter is erased from all conversation. It’s a bitter pill for each bitter parent. It’s a bitter pill for the new spouse. No longer can you ever make mention of any moment of joy that preceeded the culmination of lava that finally spewed forth. And in this same instant, this girl is alone. Twelve years old and alone in a new town, among new strangers, in a new and most-unfriendly school (teachers and kids alike). In some instances perhaps even cruel. Certainly these days it would be called bullying but in my early life of only-childness, I was taught not to complain, to be grateful for the kids that teased me because I didn’t have sibling and it was that that makes you tough. In this aloneness of environment & spirit, I was also hours and hours and hours – and days and days and days alone in life. My mother left for work before 5am and normally returned from her 3rd job around midnight. I didn’t have friends and for my own safety, I wasn’t allowed to leave the house, or have the curtains open, or let anyone know I was home alone. Many years later I would come to fully understand the necessity of this but it was lonely. Even my 12 year old poodle died that first year.
I spent the first few years of my adolescence in tears and sadness. Bonnie listened when she was home and would coach me. She would spend her very few spare hours making me new school clothes that we copied from outfits I found in magazines and bought fabric for off of yardage sale tables at Alco, a local discount department store. I would often wake up to new dresses neatly pressed and hanging on my door knob. The night before, in one of my many floods of tears, she would coach me, “You go to school. You hold your head high. You smile big. You say “hello” to everyone. If they’re mean to you, say something nice to them. If they say mean things about you, say nice things about them. If they don’t invite you (they never did) let them know you are happy for them. As hard as they make it to like them, make them think you like them anyway. Don’t ever let them know they cause you the pain they want you to feel. If they don’t think they won – they didn’t win.” Day after day I would. Complaining was never tolerated in our family – crying wasn’t even allowed when I was an infant. In that same vein, I was taught to laugh at fear and laughter was an early defense I was taught in my earliest childhood. Certainly I grew up with an element of real fear.
From the 7th grade to the 9th grade, from ages 12 to 15, I would come home from school every day – do my homework, count my calories, make my dinner, bake the next recipe in the cook book I had been working my way through one recipe at a time, watch multiple 1950’s tv series on cable (“Leave It to Beaver”, “Dobie Gillis”, “Father Knows Best”, etc…) and spend my evening plowing through unfinished needlework projects my mother had started and not finished in our previous life. I embroidered Christmas tree skirts, cross-stitched pictures, and whatever else I found in her boxes of unfinished projects while I waited and waited for her to come home. She waited tables at a pancake house for breakfast, had a real estate career that she attempted to keep track of between pancake house and the dress shop she managed and was a buyer for, then worked the night shift at a Mexican food restaurant. Her weekends were no different but she could take me to work with her on Saturday and Sunday, where I would help her bus tables or do the store window and mannequin displays.
While I had dabbled at sewing, I was around 15 when I really made genuine attempts. The thing about sewing, knitting, crochet, or any of those long lost arts is you really need someone at hand, to shadow you and remind you stitch by stitch what your brain and hands argue about with every next stitch. Like dance, it’s not so much a thing one learns, so much as it is a language in and of itself. It takes the daily discipline of repetitive reminders to fully comprehend. I had bits and pieces of that – an invaluable gift for sure. But I didn’t really know enough. I would cut and sew and spend my hours whittling away and then Bonnie would come in like elves in the night and correct my seams to make my garments presentable.
At the same time I was enhancing my knowledge of crochet – something I had learned the basics of as a toddler. Although I had had the stitches down pat since I was 3 years old, I didn’t have enough knowledge of crochet to work from patterns. I was inspired by a long lost stack of old magazines I had found in an antique store in rural New Mexico. The woman who owned the store really specialized in antique dishes and the stack of magazines and newspapers was really what she used to wrap them with. I pleaded with her and she sold them to me for 10-cents a piece. I didn’t know what they were at first but they were the most beautiful lace I had ever seen. I knew I would be getting married one day and we wouldn’t have the money for a wedding so I thought I’d start working on lace for wedding dress – ten years or so should be plenty of time to finish one. Funny now but I seriously thought it at the time. The books were all patterns for Irish and Celtic lace bits. Some of them had photos or diagrams, other didn’t and I would eventually work them up just to see what they looked like. They were published in the late 1800’s to early 1900’s. In those days, most newspapers published regular columns with needlework patterns. I would also learn in learning from them, quite by accident, that most of them were written in British crochet which is not the same as American crochet. I did figure this all out on my own though – of that, I was very proud. It was also therapy for the extended family periphery that was often far too much to bear.
When I was 20, Bonnie Mommie and I took our first year long gypsy art trip in an old beat up Chevy Bonanza pick up truck that belonged to my uncle but had been left abandoned at our house because it was too much of an eyesore to park in his own neighborhood. We sold art (clay sculpture) by day and spent our nights in the hotel rooms – me cutting and Bonnie sewing, an outfit for each of us nearly every single night of that year. Fabric was abundant and cheap in those days and that was when I really started to become an excellent seamstress. Cutting patterns was excellent training ground. As we traveled, we toured upscale and expensive dress shops and department stores along the way. More than window shopping, we devoured garments for the knowledge they had in store – the way the seams were finished, the way the pieces were cut, the buttons, lapels, zippers, hems, trims, cuffs and collars. Bonnie fingering them to pieces and talking out loud, “this seam is turned to the back to give it a certain line…..that garment is French seamed just the way I do it………..oh look! What a wonderful use of grommets.” I trailed behind her just as I had as a child among the bolts of fabrics, and inhaled her every discovery.
I was in my early thirties and we were both working in a theatre office in Los Angeles when a co-worker overheard me say how much I hated ready to wear garments. That we sew all of our clothes has never been a secret and our new found address near the Fabric District of Downtown LA was our sheer delight and bliss. Nevertheless, our co-worker seemed stunned. “You don’t like to wear clothes that you buy in a store?” I was sort of shocked at her shock but in hindsight I don’t know why. It is stereotypical to think of home-made anything being inferior. How ignorant are the masses! Custom fit, tailor made clothes had been the wardrobe of my entire life. I do hate those store bought jeans that crawl up your crotch while simultaneously falling below your butt crack. Far from superior, but someone who had never known custom fit would never know. It’s what so many people never really have the opportunity to know – luxury is not expense or wealth – although it can be those things. Luxury is not incompassionate, exclusionary, or unkind. By definition, “Luxury is the state of great comfort and extravagant living.” In my lifetime of experience, luxury is a big warm smile greeting you on a dark ugly day, the warm soft hug of caring heart – if not in person, in the spirit of handmade garment, the discipline of a decadent life, the discipline of a hard won education, tailor made clothes, travel that exasperates ones soul and fuels one’s imagination and thirst for life. The but greatest of luxuries is kindness – coming and going, ever flowing. Luxury is ideal!
That baby that grandmother is knitting a blanket for will be swaddled in a luxurious love from a woman who stretched her intellect to learn a new craft, just so that she could knit that child an eternal hug that he could pass on to his child who will wear that same hug, and sense elements of her struggle to learn and to conquer. What an indelible, if not silent and even invisible, legacy to pass on to coming generations.
Earlier this week I received a thank you note from an old and dear friend for a gift I had made her:
““I got something really wonderful in the mail today. It was beautiful and brought back memories of seeing this girl in a mini wearing bright colors with a sad look on her face. She was the prettiest little thing in clothes she made herself. Very talented, warm and inviting. All the other girls were jealous and gave her a hard time but the truth was they were jealous at the fact she had more talent in her little finger than they even thought of having. I was proud to call her friend and I still am. I loved you as a young girl and have an awful lot of respect and admiration for you as a woman. I thank you, my friend, for my treasure in the mail. Lots of love to you and Mommie Bonnie and all the kitties. My life is better at having you still in it!!!! Now if I could just get you to drive this way that would be even better!” - TCB
What luxury to have a friend who sensed something of me she never really knew, and who in the decades of our distance, she never lost sight of. I have to say, when I read her profound words my heart broke a little and I fell into a bit of melancholy in that I didn't apparently fool everyone with my false bravado. And yet somehow, my soul felt a distant and warm and comforted hug in the acknowledgement of all that that little note said.
I think junior high school and high school are probably not fond memories for most people. Maybe they are. I don’t really now, I guess. I do think it’s unwise to dwell in one’s past – and unwise to dwell in moments of pain and sorrow. It’s too easy to miss the beauty of the present. I was reminded of this last summer driving down an old, familiar, Nebraska farm road. I had driven it so many times in worry over bills, worry over an uncertain car, worry over uncertain weather, but mostly worry over an uncertain tomorrow. It was never a beautiful road. In my memory it was always muddy and slushy, weeds lining the road side and junky cars along the way. Somehow last summer it was green and lush, full of hope not fear, brimming with smiles and not fear and loathing. The only difference being, as I noted in that moment, that I wasn’t driving down that road on that particular summer day, hoping to make a sale that would pay my rent on time, or pay my bills. Just driving for the sheer joy of seeing it again. And then my mothers words came back to me, “. You hold your head high. You smile big. You say “hello” to everyone. If they’re mean to you, say something nice to them. If they say mean things about you, say nice things about them. If they don’t invite you (they never did) let them know you are happy for them. As hard as they make it to like them, make them think you like them anyway. Don’t ever let them know they cause you the pain they want you to feel. If they don’t think they won – they didn’t win.”
Much Love,
P.S. Below are the two baby blanket patterns I
wrote for the soon-to-be new grandmother I met in yarn aisle. Great for beginners, they contain only knits
and purls – no increased, decreases, or anything to intimidate someone just
starting out.
So here they are for anyone interested:
So here they are for anyone interested:
Option 1:
This option will make a hemmed blanket which will give you a small hemmed
finish around the entire blanket - similar to a blanket with a binding only the
binding will work into the knitting.
cast on
desired number of stitches to achieve desired measurement (120-130)
Row 1: Knit
Row 2: Purl
Row 3: Knit
Row 4: Purl
Row 5: Knit
Row 6: Knit;
CO (cast on) 5 stitches at end of row
Row 7: Knit
5, Purl 1, Knit across:; CO 5 stitches at end of row
Row 8 &
every other even numbered row (WS - wrong side of blanket) Purl 5, Knit 1, Purl
across to last 6 stitches, Knit 1, Purl 5
Row 9 &
ever other odd numbered row (RS - right side of blanket) Knit 5, Purl 1, Knit
across to last 6 stitches, Purl 1, Knit 5
*Repeat Rows
8 & 9 until you have reached desired length for blanket & end with a
right side row facing you ready to be worked next; then proceed to work the
last 8 rows
1a: BO (bind
off) 6 stitches; knit across to last 6 stitches, P1, K5
2a: BO 6
stitches, purl across
3a - Make
sure this is a right side row) Knit across
3a: Purl
across
4a: Knit
across
5a: Purl
across
6a: knit
across
7a: Purl
across
8a: BO knit
wise - leave a tail long enough to hem one edge of the blanket. The blanket
binding will fold naturally around at the Purl rows to form a natural hem. Hem
using a chain stitch method with a tapestry needle. If you're adept at crochet,
you can add a simple chain stitch around the edge with the same or a
contrasting color as an added embellishment.
Option 2:
With this option you can make a simple square blanket without a hem. We'll knit
a selvedge edge instead.
*CO (cast
on) desired number of stitches to achieve desired length for blanket
Rows 1-5:
knit each row
Row 6 &
all even numbered rows: P1, K1, P1, K1, P1, Knit across to last 5 stitches, P1,
K1, P1, K1, P1
Row 7 &
all odd numbered rows: P1, K1, P1, K1, P1, Purl across to last 5 stitches, P1,
K1, P1, K1, P1
* Repeat
rows 6 & 7 until you have achieved desired length. Then work last 5 rows as
rows 1-5. Bind Off.





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